The Power of Luxury: Art and Culture at the Italian Courts in Machiavelli’s Lifetime
The Australian Institute of Art History
The University of Melbourne
19 and 20 February, 2013
Session Three - About Principalities and Courts
Wednesday 20 February 10.00 am
Robert Gaston
“Smitten thro’ the Helm”: the Ruler & the Helmet in 16th Century Europe
Abstract
This paper addresses the military functions and symbolic meanings of the helmet in sixteenth-century Europe, with special attention given to a helmet from the Museo Poldi Pezzoli, and Machiavelli's military theories. I consider some diverse cultural traditions that flowed into Renaissance perceptions of both the defensive and parade helmet, reviewing scholarship on the artistic and ideological dimensions of these forms of armour. From the perspective of postmodern visual arts our historical understanding of Renaissance armour has inevitably changed. Yet the warrior remains vulnerable in contemporary body armour, where technology, aesthetics and emotions combine, as in the Renaissance, to project an image of masculine power and terror.
Livetweets
Robert Gaston speaks this morning at the Power of Luxury conference @unimelb about Greco-Roman traditions of armor #machiavelli
— flissina (@flissina) February 19, 2013
Gaston reveals his scholarly prowess across multiple disciples - an art historian trained in the classics #loveit#machiavelli
— flissina (@flissina) February 19, 2013
Gaston | armor was once recognized as a medium of artistic expression in the Renaissance court #machiavelli
— flissina (@flissina) February 19, 2013
Gaston also reveals his interest in the body, Bronzino & cod pieces as he discusses the role of body armor & mention of it in #machiavelli
— flissina (@flissina) February 19, 2013
Robert W. Gaston is Principal Fellow and Associate Professor in Art History at The University of Melbourne. He taught Art History at the University of Melbourne, Bryn Mawr College, Boston University, and La Trobe University. He has been Hanna Kiel fellow and Lila Wallace Visiting Professor at The Harvard University Center for Italian Renaissance Studies, Florence, and Samuel H. Kress Senior Research Fellow at C.A.S.V.A., the National Gallery of Art, Washington D.C. His latest major publication is Pirro Ligorio’s Naples manuscript on waters in the forthcoming Edizione Nazionale of Ligorio's works. He is currently editing (with Louis A. Waldman) I Tatti’s San Lorenzo monograph project.
Image notes
Cosimo I de' Medici in Armour. Bronzino. source wikimedia commons link
nb. Entry created May 5 2013. Dated to Feb 20 (date of presentation) for indexing purposes
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